If every escobilla feels a bit like a multiple-choice exam, this one's for you. Let's talk about why hearing the compás is so difficult – and why it doesn't have to stay that way.

Think you'll never really "get" flamenco? This blog post explains why most dancers aren't missing rhythm—they've simply never been taught what to listen for.

Can you count the compás... but still find yourself getting lost once you stop counting? Here's why counting and hearing are two very different skills—and why learning to recognise the compás is a skill every flamenco dancer eventually needs.

Have you been blaming your rhythm when the real problem is something else? Discover why knowing what to listen for can change everything in Bulerías.

Let me tell you about a move that happens in flamenco classes all over the world.

If you're getting lost in the compás, surely the answer is to count more carefully. Isn't it?

Whenever I create a new course, I spend just as much time thinking about who it isn't for as who it is.

Have you ever looked at another dancer for clues because you weren’t entirely sure where you were in the compás?

If you dance flamenco then you know there are certain things that only other flamenco dancers truly understand

If you’re new to Tangos, you don’t need to learn everything at once. You just need a clear starting point.

Not because you're doing anything wrong...

If you’ve been learning flamenco for a while and sometimes feel a little confused, I have good news

Do you know how the letra works and what options the singer has for singing it?

Did you know that one of the best ways to start getting comfortable when improvising Bulerías Por Fiesta is to keep it simple?

How well do you know your marcajes for Bulerías Por Fiesta? Do you have enough to mix it up and keep it fresh?

It's the final part of the looking for the caída series! Watch the short video below to help train your ear for the caída.

As I like to say, practice makes better, so here we have Part 2 in the series! We're going to listen to María Vargas singing another letra from the same performance.

One of the hardest parts about improvising for Bulerías Por Fiesta, has definitely got to be hearing the caída! And not only that, but hearing when it’s about to happen!

Let’s listen to another coletilla together – so we can compare the same letra being sung by different singers..

Let’s listen to a coletilla together – and make sense of the sung lines..